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  1. en.wikipedia.org › wiki › Rachel_WeiszRachel Weisz - Wikipedia

    Hace 6 días · In 2001, Weisz began dating the American filmmaker and producer, Darren Aronofsky. They met backstage at London's Almeida Theatre, where she was starring in The Shape of Things. Weisz moved to New York City with Aronofsky the following year; in 2005, they were engaged. Their son was born in May 2006 in New York City.

  2. 3 de may. de 2024 · Darren Aronofsky producirá la primera película de un estudiante de 19 años después de que su último cortometraje se viralizase en YouTube. El director, que debutó con 'Pi' en 1998, ha apostado por el proyecto de Wesley Wang, en el que los números también son clave. 1 comentario Flipboard E-mail.

  3. Hace 5 días · She received praise for her performance in the science fiction film Dark City (1998) and playing a drug addict in Darren Aronofsky's drama film Requiem for a Dream (2000). In 2002, Connelly won the Academy Award for Best Supporting Actress for her portrayal of Alicia Nash in Ron Howard's biopic A Beautiful Mind (2001).

  4. 30 de abr. de 2024 · Across his decades-long career, the Oscar-nominated Glicker has become the go-to costume designer for some of cinema’s most celebrated auteurs—including Darren Aronofsky, Gus Van Sant, and ...

  5. Hace 5 días · La Cinemafia. 13.9K subscribers. Subscribed. 124. 2.1K views 1 day ago. Hoy exploramos una retrospectiva del gran director Darren Aronofsky. Esta plática con Doly se tornó bastante personal. No...

  6. Hace 2 días · Industrial Light & Magic (ILM) is an American motion picture visual effects company that was founded on May 26, 1975 by George Lucas. It is a division of the film production company Lucasfilm, which Lucas founded, and was created when he began production on the original Star Wars, now the fourth episode of the Skywalker Saga.. ILM originated in Van Nuys, California, then later moved to San ...

  7. 15 de abr. de 2024 · But while Aronofsky has never made the same film twice, his filmography chases the same theme across radically different dimensions of human experience: the quest for transcendence, at any price. Although “transcendence” is a theological category, Aronofsky is strikingly ambivalent about God.