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  1. it.wikipedia.org › wiki › Jamie_MuirJamie Muir - Wikipedia

    Jamie Muir (Edimburgo, 1943) è un percussionista britannico.. All'inizio della sua carriera si è dedicato al free jazz, registrando ed esibendosi con Derek Bailey, Evan Parker, Alan Gowen e altri.. Nel 1972 Robert Fripp lo invita ad unirsi ai riformati King Crimson dove, accanto al batterista Bill Bruford, svolge spesso il ruolo di "rumorista" e affinatore del suono, più che quello di ...

  2. 24 de mar. de 2023 · In Crimson, he employed a staggering arsenal of found instruments, including but not limited to a bicycle frame, various toys, chimes, bells, and even the occasional drum. A master of his craft, Muir starts with the group’s innate sense of otherness and elevates it to the alien. Fittingly, the album begins with “Lark’s’ Tongues in Aspic ...

  3. View the profiles of people named Jamie Muir. Join Facebook to connect with Jamie Muir and others you may know. Facebook gives people the power to share...

  4. 2 de mar. de 2024 · Supercool 1.5 by Jamie Muir, released 02 March 2024 1. Paradise 2. Crab People 3. When In Rome 4. Thurston Moore Hates Me 5. Killhouse 6. Piano Phase 7. You are in Control of the Whispers This album was created in a six-day period for the RPM challenge, using only a Tascam 414 MKII 4-track Cassette recorder, and no standard-tuned guitars.

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  6. Larks' Tongues in Aspic is the fifth studio album by English Progressive Rock band King Crimson, released on 23 March 1973 through Island Records in the United Kingdom and Atlantic Records in the United States. After splitting up the band at the conclusion of the Islands tour, Robert Fripp enlisted a new group of musicians, which included violinist David Cross, percussionist Jamie Muir, former ...

  7. 23 de mar. de 2023 · On top of the musical assault, Jamie Muir’s visual theatrics compounded the wonderment so many experienced. It wasn’t just the punters who were shocked by Muir’s performance art-antics of throwing chains about the place and spitting blood whilst glowering at the audience.