1960
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Fundó el Teatro Experimental Independiente (considerado el mas importante de Italia), del que fue director hasta 1936. De Arturo no se conoce mucho sobre su formación; si se sabe que ambos hermanos se adhirieron en 1910 a un movimiento que estaba en pleno surgimiento: el Futurismo.
Arturo Bragaglia began his career making photographs in collaboration with his older brother Anton Giulio Bragaglia. His artistic training was developed as an assistant, alongside his brothers, in his father Francesco Bragaglia’s film production company in Rome.
Italian, 1893–1962. Arturo Bragaglia began his career making photographs in collaboration with his older brother Anton Giulio Bragaglia. His artistic training was developed as an assistant, alongside his brothers, in his father Francesco Bragaglia’s film production company in Rome.
Seeking to revitalize painting, Futurist Anton Giulio Bragaglia worked with his brother Arturo Bragaglia, an accomplished photographer, to develop a method of capturing movement they called photodynamism.
To express this new sense of reality, the Bragaglia brothers, Anton Giulio and Arturo, invented photographs that would convey the passage of time in the photograph’s single moment.
The Rome-based theater director, set designer, and cinematographer Anton Giulio Bragaglia was one of those influenced by Marinetti's theories. In his essay "Futurist Photodynamism," written in 1911 and published two years later, Bragaglia extended the concept of dynamism to photography.
Anton Giulio Bragaglia Italian. 1911. Not on view. At the age of nineteen, before he began his career as a theater director, set designer, and cinematographer, Bragaglia became greatly influenced by F. T. Marinetti, the founder of the Italian Futurist movement who espoused a love of danger, the beauty of speed, and the interdependence of time ...
