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  1. Rebop Kwaku Baah. Percussionist Rebop Kwaku Baah was added to Traffic in 1971 and contributed to the albums “The Low Spark of High Heeled Boys,” “Shoot Out at the Fantasy Factory” (1973), and “When the Eagle Flies” (1974). His percussion work added a more rhythmic layer to Traffic’s music.

  2. www.loudersound.com › features › story-of-steve-winwood-and-trafficThe story of Traffic - Louder

    12 de may. de 2024 · Winwood refused, and instead brought in two bodies to cover for his stricken comrade: Ghanaian percussionist ‘RebopKwaku Baah, a fellow survivor of Baker’s Air Force; and American drummer Jim Gordon, who had done sessions for The Beach Boys, The Byrds and George Harrison, and who had not long jumped ship from Clapton’s ...

  3. 28 de abr. de 2024 · Don't forget the remarkable Rebop Kwaku Baah on percussion. I will still swear that he was at Winterland in October, 1971. Welcome To The Canteen was new and my favorite Traffic album at the time (it still may be) and Rebop was all over that.

  4. Hace 2 días · Released 1971.Steve Winwood – vocals, guitar, keyboardsJim Capaldi – percussionChris Wood – flute, saxophone, keyboards Jim Gordon – drums Rebop Kwaku Baah –...

  5. Hace 3 días · In keeping with the aspirational aspect of Traffic’s moniker–a connotation of constant motion–drummer Capaldi then opted to devote himself to singing and percussion (along with percussionist Rebop Kwaku Baah) when Jim Gordon assumed the position at the kit for The Low Spark of High Heeled Boys.

  6. 11 de may. de 2024 · The song begins with a mesmerizing instrumental intro, setting the mood for what’s to come. The lyrics paint vivid images in the mind, with Steve Winwood’s vocals guiding us through a journey of introspection and social commentary. “If you see something that looks like a star. And it’s shooting up out of the ground.

  7. Hace 6 días · Traffic Rebop Kwaku Baah together with Czukay, Irmin Schmidt, Jaki Liebezeit and Michael Karoli. The then new album by Can, “Saw Delight”, did not receive good reviews from the press of the time. The German formation together with Gee and Kwaku Baah would record two more albums, “Out Of Reach” in 1978 and the eponym “Can”