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28 de ene. de 1991 · The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in Paris was presented for the first time on the closing night of the New York Film Festival, October 14, 1972: that date should become a landmark in movie ...
10 de mar. de 1972 · Pauline Kael’s 1972 review of Francis Ford Coppola’s classic mob movie, based on the Mario Puzo book and starring Marlon Brando, Al Pacino, James Caan, Diane Keaton, and Robert Duvall.
14 de nov. de 1976 · Pauline Kael’s 1976 review of the classic horror film, based on the novel by Stephen King and starring Sissy Spacek and Piper Laurie.
Pauline Kael Reviews A-Z. To find a movie title, click on a letter. Each link contains between 20-30 reviews. There are 2,846 in all, ranging from early silents to the early 1990s, when Kael retired. Enjoy! (To view Guest Book, click here) Choose a Movie Title (click on a letter)
Pauline Kael on Arthur Penn’s 1967 film, “Bonnie and Clyde,” starring Faye Dunaway and Warren Beatty.
Robert Altman’s NASHVILLE had such an endearing impact on Pauline Kael that she hailed it as a new chapter in the Great American Epic. One of Kael’s most notorious and polarizing reviews was for the 1965 classic SOUND OF MUSIC. The legend goes that her scathing critique, in which she called the film “the single most repressive influence ...
By Pauline Kael. Features — Apr 25, 2011. Share. The following review of Blow Out was first published in the July 27, 1981, issue of the New Yorker. A t forty, Brian De Palma has more than twenty years of moviemaking behind him, and he has been growing better and better. Each time a new film of his opens, everything he ...
