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11 de may. de 2017 · May 11, 2017. The director-hero of 8½ is the center of the film universe, the creator on whose word everything waits, the man sought after by everyone, the one for whom all possibilities are open. by Pauline Kael. Some years ago a handsome, narcissistic actor who was entertaining me with stories about his love affairs with various ladies and ...
Robert Altman’s NASHVILLE had such an endearing impact on Pauline Kael that she hailed it as a new chapter in the Great American Epic. One of Kael’s most notorious and polarizing reviews was for the 1965 classic SOUND OF MUSIC. The legend goes that her scathing critique, in which she called the film “the single most repressive influence ...
16 de sept. de 2017 · In her iconic review of Bernardo Bertolucci’s Last Tango in Paris, Pauline Kael heralds the film’s premiere as a pivotal moment in cinematic history, paralleling its impact to the premiere of “Le Sacre du Printemps” in the music world.She celebrates the film for breaking through the norms of mechanized, passionless cinematic sexuality by presenting a raw, emotionally charged sexual ...
19 de jun. de 2019 · Pauline Kael . T he best way to celebrate the one hundredth anniversary of the birth of Pauline Kael, one of the most influential film critics in the short history of cinema, is, of course, to read her work. And the best place to begin, naturally, is the New Yorker, where she was a staff critic, writing week in and week out for six months out of each year between 1968 and 1991.
11 de ene. de 2018 · by Pauline Kael. Martin Scorsese’s Mean Streets is a true original of our period, a triumph of personal filmmaking. It has its own hallucinatory look; the characters live in the darkness of bars, with lighting and color just this side of lurid. It has its own unsettling, episodic rhythm and a high-charged emotional range that is dizzyingly ...
14 de oct. de 2011 · Oct. 14, 2011. THE longtime New Yorker film critic Pauline Kael didn’t just write about movies — she made it seem as if they were worth fighting about. Nearly 20 years after her retirement and ...
The Deer Hunter (1978): The God-Bless-America Symphony – Review by Pauline Kael THE DISCREET CHARM OF THE BOURGEOISIE: ANARCHIST’S LAUGHTER – Review by Pauline Kael The Elephant Man (1980) – Review by Pauline Kael The Emigrants (Utvandrarna, 1971) – Review by Pauline Kael The ...
