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28 de may. de 2006 · A recent study of the eighteenth-century novel echoes Watt with the claim that “the numerical (if not qualitative) majority [of novels] were actually written by women.” Such remarks seem to be made less with a view to statistical accuracy than in order to belittle the women novelists' achievements as merely quantitative: they are the modern ...
23 de ago. de 2021 · On eighteenth-century poetic sociability, and the compilation of manuscript verse miscellanies, see Laura Runge, ‘From Manuscript to Print and Back Again: Two Verse Miscellanies by Eighteenth-Century Women’, Literary Manuscripts: 17th and 18th Century Poetry from the Brotherton Library, University of Leeds, Adam Matthew Digital, 2006; Moyra Haslett, ‘The Poet as Clubman’, in Jack Lynch ...
Thus, the celebration of Womanhood by eighteenth-century writers. was not so much a dramatic departure from past assumptions of female sexuality and disobedience as it was a response to a specific social and intellectual context, incorporating as it did broader prob- lems of the family and society.
Book: The Invisible Woman: Aspects of Women's Work in Eighteenth-Century Britain. edited by: Isabelle Baudino, Jacques Carré, Cécile Révauger. Aldershot, Ashgate, 2005, ISBN: 9780754635727; Price: £48.99. Women's Work and Identity in Eighteenth-Century Brittany. Nancy Locklin.
‘April London’s fascinating study of the eighteenth-century novel offers a sustained investigation of the ‘ways in which the signal importance of property to the eighteenth century is both affirmed and complicated when women are included in the account.’ Source: Review of English Studies
Top scholars in eighteenth-century studies examine the significance of the parallel devaluations of women's culture and popular culture by looking at theatres and actresses; novels, magazines, and cookbooks; and populist politics, dress, and portraiture. 978-1-4426-8998-5. Sociology, History.
13 de jul. de 2020 · While this story is likely meant to take advantage of an eighteenth-century “satirical convention of representing women taking personal offence at any perceived mistreatment of their pets,” as Theresa Braunschneider claims, there is little similarity between the reactions of the women in Mira’s anonymous stories and Betsy’s reaction to the deeply personal affront committed by Munden (43).
