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Hace 3 días · Morris was heavily influenced by the writings of the art critic John Ruskin, being particularly inspired by his chapter "On the Nature of Gothic Architecture" in the second volume of The Stones of Venice; he later described it as "one of the very few necessary and inevitable utterances of the century".
11 de may. de 2024 · La filosofía del movimiento se deriva en gran parte por la crítica de John Ruskin. Este, consideró que la producción mecanizada y la división de trabajo era como un 'trabajo servil'. Tanto Morris como Ruskin compartían una crítica hacia la sociedad industrial, atacando la fábrica moderna, el uso de maquinaria, la división de trabajo, el capitalismo y la pérdida de los métodos ...
14 de may. de 2024 · John Ruskin, English critic of art, architecture, and society who was a gifted painter, a distinctive prose stylist, and an important example of the Victorian Sage, or Prophet: a writer of polemical prose who seeks to cause widespread cultural and social change.
14 de may. de 2024 · Contemporary critics of Aestheticism included William Morris and John Ruskin and, in Russia, Leo Tolstoy, who questioned the value of art divorced from morality. Yet the movement focused attention on the formal aesthetics of art and contributed to the art criticism of Roger Fry and Bernard Berenson.
15 de may. de 2024 · Nevertheless, it was the writings of art critic John Ruskin on the social and moral basis of architecture (particularly the chapter “On the Nature of Gothic” in The Stones of Venice) that came to Morris “with the force of a revelation.”
26 de may. de 2024 · Bibliographic Citation. John Ruskin, “The Nature of Gothic,” William Morris Archive, accessed May 26, 2024, http://morrisarchive.lib.uiowa.edu/items/show/1948. The Nature of Gothic - John Ruskin. Title. The Nature of Gothic. Creator. John Ruskin. Date. 1892. Publisher. Hammersmith: Kelmscott Press. Subject. art. architecture. society. gothic.
9 de may. de 2024 · Crítica Social y Filosofía del Movimiento: Influencia de John Ruskin en la crítica social y moral. William Morris como figura central y defensor de la artesanía. Rechazo a la producción mecanizada y la división del trabajo. Ideales de independencia y diseño artesanal.
