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De Kooning’s painted Woman of 1948, (fig. 1) is the first major surviving painting from his second Woman series, during the same period as his black-and-white abstractions. His aggressive distortion of the figure is unsurpassed in his earlier figurative works, his swiftly applied paint strokes simultaneously defining the subject and dissolving it. As with previous paintings, the effect of ...
An amalgam of female archetypes, from a Paleolithic fertility goddess to a 1950s pinup girl, her threatening gaze and ferocious grin are heightened by de Kooning's aggressive brushwork and intensely colored palette. De Kooning took an unusually long time to create Woman, I, making numerous preliminary studies and repainting the work repeatedly.
4 de abr. de 2013 · Woman I de William de Kooning. Esta obra la realizó William de Kooning entre los años 1950 y 1952, y en la actualidad está expuesta en el Museum of Modern Art de Nueva York, más conocido con el acrónimo MoMA. En ella se puede ver uno de los temas predilectos de este artista, que no es otro que la figura femenina, generalmente representada ...
Woman V, 1953 by Willem de Kooning. This painting's impact comes from the apparent conflict between the violence of the brush marks and the subject of woman, between the slashing strokes and her big smile. Assessment has veered between Willem de Kooning's own assurance that he was after 'some of the enchantment and sunny charm of the All ...
Willem De Kooning s’est fait connaître à New York par ses abstractions en noir et blanc, exposées en 1948 et représentant au plus près ce qu’on pouvait mettre derrière le terme « expressionnisme abstrait » ; à tel point que le critique Harold Rosenberg allait implicitement fonder sur son exemple son très influent article « Les peintres d’action américains », publié en 1952.
Willem de Kooning (Róterdam, 24 de abril de 1904-Long Island, ... Las pinturas Woman de la II hasta la VI (1952-53) son todas variaciones sobre el mismo tema, así como Woman and Bicycle (1953; Whitney Museum of American Art, Nueva York) y Two Women in the Country (1954).
Video transcript. - [Narrator] This painting is called Woman I, and it has the number after it because ultimately there were six such large-scale paintings of single women that de Kooning worked on in the 1950s. The woman of the painting is staring out at the viewer with a kind of ferocity and a kind of toothy glare that makes her anything but ...
