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Satin evening dress, Madeleine Vionnet, 1932 – 34, France. Museum no. T.203&A-1973. © Victoria and Albert Museum, London. The couture house was forced to close during the First World War, but Vionnet re-opened in 1918, moving to larger premises on 50 Avenue Matignon, Paris.
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Vionnet evening gown, silk chiffon, c.1932 (RISD Museum) The bias of a textile runs at 45 degrees to both the warp and weft threads. Alongside Coco Chanel , Vionnet is credited with a move away from stiff, formalised clothing to sleeker, softer clothes.
Her devotion to the figure and sensitivity to fabric, combined with her virtuosic patternmaking abilities, resulted in some of the most discreetly revolutionary designs of the 1920s and ’30s. This dress from her spring 1931 collection evidences her timeless synthesis of comfort and elegance.
Design House: House of Vionnet (French, active 1912–14; 1918–39) Designer: Madeleine Vionnet (French, Chilleurs-aux-Bois 1876–1975 Paris) Date: spring/summer 1932. Culture: French. Medium: silk, glass. Credit Line: Gift of Madame Madeleine Vionnet, 1952. Accession Number: C.I.52.18.8a, b
Explora el legado de Madeleine Vionnet, la pionera del corte al bies que transformó la moda del siglo XX. Descubre cómo su enfoque revolucionario y sus diseños atemporales siguen influenciando la elegancia y la silueta femenina hoy en día. INDICE.
This object consists of 2 parts. Satin evening dress and petticoat, designed and made by Madeleine Vionnet, Paris, 1932-1934. Long flared evening dress of pale flesh pink satin. It has short box shaped sleeves, which are skillfully cut in one with the front piece of the dress.
23 de ago. de 2015 · PARIS, France — It seems extraordinary, looking back now, that the name of Madeleine Vionnet, the re-creator of the seemingly lost technique of cutting fabric on the bias, had virtually disappeared from the pantheon of great fashion design innovators until John Galliano rediscovered the cut and resurrected the designer’s name in the 1990s.
