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On CIJTY all the upper mids, including Todd’s screeching vocals, are crystal clear with no distortion, unlike on the Lee Hulko version, where Todd, the hard plucked acoustic guitar and crashing cymbals are cut hot, sound shrill, teetering on harshness.

Something, Anything? is prophetic on the larger scale, though that idea would not have been considered when the album was released, with Todd looking back, forward, and into the future. For all of it’s quirkiness, “Piss Aaron” bespeaks the irreverence of the punk scene that is just around the corner, and “Wolfman Jack” is more Motown than Motown has a right to be.