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Richard Prince (b. 1949) Untitled (Three Women Looking in the Same Direction) signed, numbered and dated 'Richard Prince 1979-1980 3/3' (on a paper label affixed to the backing board); signed again, numbered again and dated again 'Richard Prince 1979 2/2' (on the reverse of the third photograph) Ektacolor photograph, in three parts.
Untitled (Three Women Looking in the Same Direction) Place. United States (Artist's nationality:) Date. Made 1980. Medium. Chromogenic print. Dimensions. Image: 40 × 60.1 cm (15 3/4 × 23 11/16 in.); Paper: 50.5 × 60.9 cm (19 15/16 × 24 in.); Mount: 55.9 × 71.1 cm (22 1/16 × 28 in.)
In Four Women Looking in the Same Direction , 1977, the female figures are locked together in a shared pose and shared anonymity. Prince’s most iconic series, begun in the early 1980s, lifts images of cowboys from Marlboro cigarette adverts.
Untitled (Four women looking in the same direction) is a seminal work conceived and executed in the same year as the Untitled (living rooms). Prince uses codified visual language and employs techniques of cropping and seriality to decipher "advertising's messages of seduction and alienation by revealing the stereotypical character of gestures ...
Richard Prince (b. 1949) Untitled (Three Women Looking in the Same Direction) three Ektacolor prints. each: 16 x 24 in. (40.6 x 60.9 cm.) Executed in 1982. This work is number ten from an edition of ten.
Richard Prince - Four Women Looking in the Same Direction (1977) It's easy to characterise Prince as a most cynical artist, but as this work shows he is capable of sublime joy. There's no mention of where these four women originated, but I choose to imagine they all come from the same magazine. Prince was casually flicking through when he saw ...
Edition of 10. Richard Prince. Untitled (Four Women Looking in the Same Direction), 1977. Set of four ektacolor prints. 20 x 24 inches each. Edition of 10. Richard Prince. Untitled (Jewelry, Handbag, and Watch), 1978-79. Set of three ektacolor prints. 20 x 24 inches each. Edition of 10.
