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Hilma af Klint 'Group IV, The ten largest, no 5, adulthood' 1907. Courtesy of the Hilma af Klint Foundation, HaK106. Photo: The Moderna Museet, Stockholm, Sweden
Adulthood, The Ten Largest, No 5-8, Group IV, 1907. Hilma af Klint. Runtime: 02:07. Narrator: The four paintings with a purple background represent the different phases of adult life. The pink flower that is uppermost in the first of these paintings has five petals.
'The Ten Largest, Nº 5, Adulthood, Group IV' En 1908, Hilma se tomó un descanso de cuatro años para cuidar a su madre, que se había quedado ciega. En 1912 retomó ‘Los cuadros para el templo’, obra que terminó en 1915.
October 15, 2018. “Group IV, The Ten Largest, No. 3, Youth,” from 1907. Photograph by Albin Dahlström; courtesy the Moderna Museet, Stockholm. One work amid the hundreds in a...
The sheer size of “The Ten Largest” sets them apart from the artist’s other works. In a gigantic 3.28×2.40 metre format, Hilma af Klint celebrates the four ages of humanity: Childhood, Youth, Adulthood and Old Age. A central theme in “The Ten Largest”, as in the artist’s oeuvre as a whole, is the notion of evolution.
Imágenes: las diez pinturas que conforman la serie «Los Diez Más Grandes»: «Los Diez Más Grandes, nº 1: niñez», «Los Diez Más Grandes, nº 2: niñez», «Los Diez Más Grandes, nº 3: juventud», «Los Diez Más Grandes, nº 4: juventud», «Los Diez Más Grandes , nº 5: edad adulta», «Los Diez Más Grandes, nº 6: edad adulta ...
'The Ten Largest, Nº 5, Adulthood, Group IV' In 1908, Hilma took a four-year break to look after her mother, who had become blind. In 1912, she picked up her ‘ Paintings for the Temple ’ again and completed them in 1915.
