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Acclaimed cinematographer Jarin Blaschke explaines how he achieved the haunting visuals of The Lighthouse through modern and antiquated techniques.
31 de ene. de 2020 · IndieWire talked to both — Eggers on the Filmmaker Toolkit podcast, Blaschke at the cinematography film festival Camerimage in Poland — to learn more about the ideas, decisions, and execution ...
5 de nov. de 2019 · The Lighthouse robert eggers willem dafoe jarin blaschke kodak Black and White 35mm film orthochromatic double x plus x. Cinematography & Cameras. The director and DP of 'The Lighthouse' reveal how they pulled off one of the year's most visually interesting movies.
13 de ene. de 2020 · “The shimmering jewel of a 19th-century lighthouse is its spinning lens,” says cinematographer Jarin Blaschke. In The Lighthouse , it’s both a functioning beam and something more mysterious, casting its spell over both lighthouse keepers.
17 de oct. de 2019 · Oct 17, 2019 10:32am PT. How Bright Bulbs Enabled ‘The Lighthouse’s’ Tough Black-and-White Shoot. By Valentina I. Valentini. Eric Chakeen. Early in development on “ The Lighthouse ,”...
18 de oct. de 2019 · The Lighthouse Cinematographer Jarin Blaschke on Capturing Madness. October 18, 2019. By Bryan Abrams. When I caught Robert Eggers The Lighthouse at the Toronto International Film Festival, I was, to put it mildly, enthused.
6 de feb. de 2020 · In 1968, the Academy combined black-and-white and color cinematography into one “Best Cinematography” category. Since then, only two black-and-white films — 1994’s Schindler’s List and 2019’s Roma have won the coveted award.
