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27 de abr. de 2024 · Ray asegura que no pensaba en los Kinks cuando la compuso, sino en hacer un tema para Georgie Fame & The Blue Flames, una de las orquestas de baile favoritas de los mods. En la fantástica biografía de los 80 de Jon Savage sobre The Kinks, Ray también asegura que la primera versión que grabaron de “You Really Got Me” sonaba horrible.
22 de abr. de 2024 · Still, in 2023, The Kinks’ name is seemingly too risqué to appear without a sensitive content warning. These farcical anecdotes get to the heart of why the band’s name actually works perfectly for their music. It’s a joke that those too straight-laced to get the layers of irony in their songs and album concept aren’t going to understand.
Hace 1 día · Tiempo de lectura: 8 minutos. A 60 años de la Invasión Británica: el valor de la retaguardia. El desembarco de The Beatles en Estados Unidos en 1964, fue el pasaporte para la primera generación de bandas rock que dominó el planeta. La élite entre los Fab Four, The Rolling Stones, The Who, The Kinks y Cream, suele ensombrecer otros nombres.
Hace 6 días · List of the best Kinks albums, including pictures of the album covers when available. This Kinks discography is ranked from best to worst, so the top Kinks albums can be found at the top of the list. To make it easy for you, we haven't included The Kinks singles, EPs, or compilations, so everything you see here should only be studio albums.
26 de abr. de 2024 · In June 1965, The Kinks embarked on their first concert tour of the USA, and virtually everything that could possibly go wrong, did. But that 3 week nightmar...
1 de may. de 2024 · The English rock band the Kinks staged their first concert tour of the United States in June and July 1965. The sixteen concerts comprised the third stage of a world tour, following shows in Australasia, Asia and in the United Kingdom and before later stages in continental Europe. Initially one of the most popular British Invasion groups, the Kinks saw major commercial opportunity in the US ...
5 de may. de 2024 · It's 1976. Ray Davies and The Kinks have spent the six years since their last American hit records, "Lola" and "Apeman," in a haze of dodgy concept albums that, while interesting in their own right, were an increasing source of alienation to the average record buyer and former Kinks fan. Not to mention the band, who insisted on a return to some semblance of a rock band for their final MCA album,
