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3 de feb. de 2022 · And it was this life that inspired him.’. On 1 March The Foxes (1913), a rare and iconic painting by Marc, is offered in the 20th/21st Century Evening Sale at Christie’s. With an estimate in the region of £35 million, it is set to more than double the current auction record for the artist.
Franz Moritz Wilhelm Marc (8 February 1880 – 4 March 1916) was a German painter and printmaker, one of the key figures of German Expressionism.He was a founding member of Der Blaue Reiter (The Blue Rider), a journal whose name later became synonymous with the circle of artists collaborating in it.. His mature works mostly are animals, and are known for bright colors.
Der Blaue Reiter (The Blue Rider) (1912) by Franz Marc and Wassily Kandinsky, published by R. Piper & Co.Museum of Fine Arts, Boston 'Coedited by Franz Marc and Wassily Kandinsky,...
Franz Marc. German, 1880–1916. Starr Figura, German Expressionism: The Graphic Impulse, New York, The Museum of Modern Art, 2011. Painter, watercolorist, printmaker. Gave up studying theology and philosophy for painting in 1900. By 1910 discovered main artistic theme— animals—which he regarded as uncorrupted symbols of spiritual renewal.
31 de ene. de 2024 · Led by the Russian painter Wassily Kandinsky (1866-1944) and his German counterpart Franz Marc (1880-1916), this artistic collective embarked on a remarkable journey that would forever alter the course of modern art. Blue Horse I (1911) by Franz Marc; Franz Marc, Public domain, via Wikimedia Commons. Origins and Influences.
The Foxes ( German: Die Füchse) is a 1913 painting by German painter Franz Marc. It was held by the Museum Kunstpalast in Düsseldorf [1] until returned to the heirs of Kurt Grawi in 2022, and sold at auction by them. [2] Analysis. Prior to painting The Foxes in 1913, Marc was inspired by French Cubism and the Orphic works of Robert Delaunay.
Franz Marc’s 1910 call for the “animalization of art” stakes out the ground that he would harvest for the most fertile and productive years of his career. Before his early death in World War I, Marc used animal paintings to express a pantheistic vision of the harmony between animals and their natural environment.
