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  1. Hace 1 hora · Steven Spielberg Told Anthony Ramos to Not Use Southern Accent for ‘Twisters’ Role: ‘I Want Him to Do It in His Dialect’. “ Twisters ” executive producer Steven Spielberg didn’t want ...

  2. Hace 18 horas · “Twisters” executive producer Steven Spielberg didn’t want Anthony Ramos to use a Southern accent for his role, according to the actor. Ramos, who plays storm chaser Javi in “Twisters,” said in an Entertainment Weekly interview that he originally thought his character should have a Southern accent. “Then I heard Steven [Spielberg] was like, ‘No, I …

  3. Hace 18 horas · New Hollywood. The New Hollywood, Hollywood Renaissance, American New Wave, or New American Cinema (not to be confused with the New American Cinema of the 1960s that was part of avant-garde underground cinema ), was a movement in American film history from the mid-1960s to the early 1980s, when a new generation of filmmakers came to prominence.

  4. Hace 18 horas · 10 cruel movie moments that punish the audience: Buried Alive – The Vanishing (George Sluizer, 1988) Horror movies are notorious for toying with audiences’ tastes, with films like James Wan’s Saw, Pier Paolo Pasolini’s Salò or 120 Days of Sodom pushing audiences to their very limits.But George Sluizer’s The Vanishing is a little different, with the film telling the story of a young ...

  5. Hace 18 horas · Blanchett has won two Academy Awards: best actress for her performance in Woody Allen’s 2004 drama Blue Jasmine and best supporting actress for her striking appearance as Katherine Hepburn in Martin Scorsese’s The Aviator.. She has worked under numerous renowned directors, including Terrence Malick, Steven Soderbergh, Steven Spielberg, David Fincher, Ridley Scott, Wes Anderson, Alfonso ...

  6. Hace 3 horas · Along with Lucas, Martin Scorsese, Steven Spielberg and numerous others, Coppola would become emblematic of Hollywood’s New Wave movement, in which young directors brought a hip new edge (one ...

  7. 12 de may. de 2024 · The 1980 film will be shown under the Cannes Classic, alongside Steven Spielberg’s “The Sugarland Express” (1974), Jean-Pierre Melville’s “Army of Shadows” (1969), Dalton Trumbo’s ...