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  1. Actor, director, productor. Años activo. desde 1995. [ editar datos en Wikidata] Silas Weir Mitchell ( Filadelfia, 30 de septiembre de 1969) es un actor estadounidense conocido por interpretar frecuentemente personajes atormentados o inestables emocionalmente.

  2. Silas Weir Mitchell (born Silas Weir Mitchell Neilson; September 30, 1969) is an American character actor. He is known for starring as Charles "Haywire" Patoshik in the Fox television series Prison Break (2005–2007), for the recurring role of Donny Jones in My Name Is Earl (2005–2009), and as Monroe in the NBC television series ...

  3. Producer. Director. IMDbPro Starmeter Top 5,000 532. Play trailer 1:52. The End (2017) 99+ Videos. 99+ Photos. Silas Weir Mitchell was born on 30 September 1969 in Philadelphia, Pennsylvania, USA. He is an actor and producer, known for Rat Race (2001), The Whole Ten Yards (2004) and Flags of Our Fathers (2006). More at IMDbPro. Contact info.

  4. Silas Weir Mitchell was born on 30 September 1969 in Philadelphia, Pennsylvania, USA. He is an actor and producer, known for Rat Race (2001), The Whole Ten Yards (2004) and Flags of Our Fathers (2006).

  5. Silas Weir Mitchell (February 15, 1829 – January 4, 1914) was an American physician, scientist, novelist, and poet. He is considered the father of medical neurology, and he discovered causalgia (complex regional pain syndrome) and erythromelalgia, and pioneered the rest cure .

  6. 8 de abr. de 2016 · Today, Silas Weir Mitchell (1829–1914) is best known as the purveyor of the Rest Cure, made infamous by Charlotte Perkins Gilman’s short story “ The Yellow Wallpaper .” But while he was alive, he was renowned as a pioneering doctor of nervous diseases and a successful author. Mitchell began his medical career researching rattlesnake venom.

  7. 1 de ene. de 2012 · Physician Silas Weir Mitchell is perhaps best remembered for his “Rest Cure” for nervous women, depicted by his onetime patient Charlotte Perkins Gilman in “The Yellow Wallpaper” (1892). In the harrowing tale, the narrator slowly goes mad while enduring Mitchell’s regimen of enforced bed rest, seclusion and overfeeding.

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