Resultado de búsqueda
Jocelyn Barbara Hepworth (Wakefield, West Yorkshire, 10 de enero de 1903-St Ives (Cornualles), Cornualles, 20 de mayo de 1975) fue una escultora inglesa. Junto con otros artistas como Ben Nicholson y Naum Gabo, Hepworth fue una destacada figura de la colonia de artistas que residieron en St Ives, Cornualles, durante la Segunda Guerra Mundial.
Jocelyn Barbara Hepworth (Wakefield, West Yorkshire, 10 de enero de 1903-St Ives (Cornualles), Cornualles, 20 de mayo de 1975) fue una escultora inglesa. Junto con otros artistas como Ben Nicholson y Naum Gabo , Hepworth fue una destacada figura de la colonia de artistas que residieron en St Ives , Cornualles , durante la Segunda Guerra Mundial .
View all 13 artworks. Barbara Hepworth lived in the XX cent., a remarkable figure of British Abstract Art. Find more works of this artist at Wikiart.org – best visual art database.
She trained in sculpture at Leeds School of Art (1920-1) and, on a county scholarship, at the Royal College of Art (1921-4), meeting the painters Raymond Coxon and Edna Ginesi and the sculptor Henry Moore. Hepworth was runner-up to John Skeaping for the 1924 Prix de Rome, but travelled to Florence on a West Riding Travel Scholarship.
Dame Jocelyn Barbara Hepworth DBE (10 January 1903 – 20 May 1975) was an English artist and sculptor. Her work exemplifies Modernism and in particular modern sculpture. [1] Along with artists such as Ben Nicholson and Naum Gabo , Hepworth was a leading figure in the colony of artists who resided in St Ives during the Second World War.
Selected sculptures. Monumental Stele. The Cosdon Head. Turning Forms. The Unknown Political Prisoner. Pastorale. Monolith (Empyrean) Curved Form (Bryher II) Four-Square (Four Circles) Single Form (Aloe) Head (Ra) Maquette, Conversation with Magic Stones. The Hepworth Wakefield. sort by date. sort by catalogue number. sort by medium. sort by title.
Barbara Hepworth was extremely prolific during her later years. Nearly as many works were made during the 1960s as between 1925 and 1960 and these show an experimentation with new materials, sculptures made in bronze, slate, silver and gold, and a significant production of prints.
