Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. 20 de sept. de 2022 · “It’s just us playing a load of tunes in the amphitheatre with some rather Top Of The Pops-ish shots of us walking around the top of Vesuvius and things like that,” Roger Waters said at the time of the film’s release. “I think Pink Floyd freaks would enjoy it.” Although shot on 35mm, Live At Pompeii was

  2. David Gilmour - Comfortably Numb Live in Pompeii 2016. David Gilmour returns to Pompeii after 45 years. Chuck Leavell co-lead, Roger Waters' parts.back up vocals.David Gilmour – electric ...

  3. Live at Pompeii is a live album and film by David Gilmour, the guitarist of Pink Floyd. It was recorded at the Amphitheatre of Pompeii. It documents his 2015–16 world tour to promote his album, Rattle That Lock (2015). The concert was directed by Gavin Elder.

  4. 25 de oct. de 1972 · With David Gilmour, Nick Mason, Roger Waters, Richard Wright. Live versions of the songs, filmed in an old Pompeii amphitheater. Songs included are Echoes (split into 2 parts), Careful with that axe, Eugene, A saucerful of secrets, One of those days, Set the controls for the heart of the sun, Mademoiselle nobbs (Seamus, but with Rick ...

  5. Live at Pompeii; Ficha técnica; Dirección: Adrian Maben; Producción: Steve O'Rourke Michelle Arnaud Reiner Moritz: Música: Pink Floyd: Fotografía: Bill Pope: Montaje: Jose Pinheiro: Protagonistas: David Gilmour Roger Waters Rick Wright Nick Mason: Ver todos los créditos : Datos y cifras; País: Italia: Año: 1972: Género: Rock progresivo ...

  6. English. Pink Floyd: Live at Pompeii is a 1972 concert film directed by Adrian Maben and featuring the English rock group Pink Floyd performing at the ancient Roman amphitheatre in Pompeii, Italy. The band performs a typical live set from the era, but there is no audience beyond the basic film crew. The main footage in and around the ...

  7. 20 de sept. de 2022 · The movie Pink Floyd Live At Pompeii got a rare thumbs-up from Roger Waters when it was premiered in September 1972. The setting, the atmosphere and the performance were echoed by the long, sweeping tracking shots that accompanied the music and some gripping visual images – notably of Waters thrashing a gong, set against a vivid ...