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  1. Robby Müller (4 April 1940 – 4 July 2018) was a Dutch cinematographer. He worked with director Wim Wenders. He was known for his works in To Live and Die in LA, Sally Potter 's The Tango Lesson, My Brother Tom, Breaking the Waves and Dancer in the Dark . Müller was born in Willemstad, Curaçao. He died on 4 July 2018 from vascular dementia ...

  2. 4 de jul. de 2018 · To my considerable shame, it took the death of Robby Muller to make me realize just how many of my favorite films he shot. Oh, I knew individually of his accomplishments, but I never quite put them all together. As I peruse his long resume, the sheer volume is astonishing. It’s like looking at the top 40 hits of Elton John.

  3. 4 de jul. de 2018 · Robby Muller, Renowned Cinematographer for Wenders, Von Trier, Jarmusch, Dies at 78. Robby Muller, the Dutch director of photography of such striking ’80s and ’90s films as “Dancer in the ...

  4. 4 de jul. de 2018 · Dutch cinematographer Robby Muller, whose credits spanned such films as Repo Man; Paris, Texas; Breaking The Waves; and To Live And Die In LA, has passed away. His family told local media in ...

  5. Robby Müller, Master of Light overzichtstentoonstelling. ( Berlijn, 2017) Robert (Robby) Müller ( Willemstad (Curaçao), 4 april 1940 – Amsterdam, 3 juli 2018) was een Nederlands cameraman. [1] Hij is bekend geworden als cameraman van Wim Wenders en hij werkte samen met Jim Jarmusch, Lars von Trier en Steve McQueen. [2]

  6. 4 de jul. de 2018 · Dutch cinematographer Robby Müller has passed away. The 78-year-old cinematographer is best known for his work on the Wim Wenders movie Paris, Texas and for his frequent collaborations with directors like Jim Jarmusch and Lars von Trier. Born in Willemstad, Curaçao, Netherlands Antilles, Müller is a renown, award-winning cinematographer whose career has included collaborations with ...

  7. 1 de ago. de 2018 · "With deep humanity and an instinctive genius for natural light and spatial relationships, [Robby] Müller created a cinematic authenticity and empathy that bound audiences and characters," wrote American Cinematographer earlier this month after the passing of the legendary cinematographer. The so-called "Master of Light" indeed foregrounded his shots with humanity, using a minimalist approach ...