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Blue Poles, originally titled Number 11, 1952, is an abstract expressionist painting and one of the most famous works by Jackson Pollock. It was purchased amid controversy by the National Gallery of Australia in 1973 and today remains one of the gallery's major holdings.
In his later paintings, Pollock reduced the titles of all of his paintings to numbers, ... A larger, more comprehensive exhibition of his work was held there in 1967. In 1998 and 1999, his work was honored with large-scale retrospective exhibitions at MoMA and at The Tate in London. ... Blue poles (Number 11) Jackson Pollock 1952.
60x30 inches 1.9 inches deep. Original Painting - Acrylic on Canvas. Varnished & Finished around the Sides. Ready to Hang in your home. A large modern abstract painting in the style of Jackson Pollock. Painted in shades of turquoise and blue.
Ocean Greyness, 1953 by Jackson Pollock. The critical debate that surrounded Abstract Expressionism during the late 1940s was embodied in the work of Jackson Pollock. Clement Greenberg, a leading critic and Pollock's champion, professed that each discrete art form should, above all else, aspire to a demonstration of its own intrinsic properties ...
‘Yellow Islands‘, Jackson Pollock, 1952 ‘Yellow Islands‘, Jackson Pollock, 1952. Skip navigation. Shop. Become a Member. Main menu. Art and artists. Our collection Artists Artworks Art by theme Explore Videos Podcasts Short articles In depth Art Terms Tate Research Student resources Make art Create like ...
Pollock is best known for working methods of pouring or dripping paint onto a large canvas on the floor, moving about it as he worked, the entire art process being a kind of performance. Typically moving from left to right as if "writing" the work, Pollock laid the key vertical and horizontal elements down first, mostly black or white, and then ...
Blue Poles, also known as Number 11, 1952 is an abstract expressionist painting by American artist Jackson Pollock. It was purchased amid controversy by the National Gallery of Australia in 1973 and today remains one of the gallery's major paintings.
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