1921
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Pola Negri en 1921. Aun en Polonia, Negri (rebautizada así por la poetisa italiana Ada Negri) llegaría a actuar en películas como Zona (La esposa), Bestia (La bestia) o Studenci (Estudiantes). Poco después viajaría a Berlín, Alemania, donde trabajaría en la compañía de teatro de Max Reinhardt y más tarde con Ernst Lubitsch.
Pola Negri ( / ˈpoʊlə ˈnɛɡri /; born Barbara Apolonia Chałupiec [a] [apɔˈlɔɲa xaˈwupʲɛt͡s]; [b] 3 January 1897 [c] – 1 August 1987) was a Polish stage and film actress and singer. She achieved worldwide fame during the silent and golden eras of Hollywood and European film for her tragedienne and femme fatale roles.
Abstract. Choose. This article focuses on Pola Negri, one of the most iconic stars of the silent era, and concentrates on her performance and image in the Hollywood film Hotel Imperial (Mauritz Stiller, 1927). Assessing Negri's character within the wartime context of the plot, her screen presence and narrative function are analysed in relation ...
8 de abr. de 2018 · Pola redeems that ticket in 1923, becoming the first European film star imported by Tinseltown. The famous face of Germany’s UFA studio is now a star in the Paramount Pictures constellation. She makes millions (prudently investing her earnings in real estate), but without Lubitsch by her side, her acting career stalls.
“Los Ojos De La Momia” (1918) “Carmen” (1918), basado en la novela de Prosper Merimée. “Madame DuBarry” (1919), con el co-protagonismo de Emil Jannings. “Sumurum” (1920), con el propio Ernst Lubitsch como actor. “El Gato Montés” (1921)… Todos ellos dirigidos por la mano maestra de Lubitsch.
Abstract. Chapter 9 continues to focus on the power of gossip articles in the early days of Hollywood. It chronicles a fake feud between Pola Negri and the other Paramount superstar, Gloria Swanson.
The Lubitsch-Negri combination was very successful and the roles that Pola played were earthy, exotic, strong women. One of her films, Passion (1919), was optioned and retitled "Passion" for exhibition in America. The film was such a success that by 1922 she and Lubitsch were both given contracts to work in Hollywood.
