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10 de feb. de 2020 · Rachel Whiteread, Nissen Hut, 2018, Dalby Forest, North Yorkshire. Photo: P A Black © 2018. Comparte esto: Archivado en teoría crítica. Documentar el Vacío, La Paradoja Arquitectónica de Rachel Whiteread ¿Hay algo más anti-arquitectónico que rellenar un espacio hasta que la vida en él es imposible?
24 de sept. de 2018 · Alina Cohen. Rachel Whiteread, House, East London, 1993. Photo by Richard Baker / In Pictures via Getty Images. Descriptions of British artist Rachel Whiteread ’s artworks often read like riddles. She makes room you can’t enter, stairs you can’t climb, and doors you can’t open. Her monumental sculptures appear, upon first glance, like ...
‘Untitled (Floor)‘, Rachel Whiteread, 1994–5 ‘Untitled (Floor)‘, Rachel Whiteread, 1994–5. Skip navigation. Shop. Become a Member. Main menu. Art and artists. Our collection Artists Artworks Art by theme Explore Videos Podcasts Short articles In depth Art Terms Tate Research Student resources Make art Create like ...
Sculpture Garden. Commissioned by the Public Art Fund and originally installed in 1998 on a rooftop in the SoHo neighborhood of Manhattan, Water Tower is Whiteread’s first public sculpture to be conceived and displayed in the United States.
Dame Rachel Whiteread DBE (born 20 April 1963) is an English artist who primarily produces sculptures, which typically take the form of casts. She was the first woman to win the annual Turner Prize in 1993. Whiteread was one of the Young British Artists who exhibited at the Royal Academy's Sensation exhibition in 1997.
11 de abr. de 2021 · W hen I last spoke to Rachel Whiteread, I declared loftily that she would always make casts, that she’d never do anything else. Because that’s what she’d been doing for more than 30 years ...
Whiteread creates plaster casts from objects and spaces, evoking physical memories of them. Untitled (Paperbacks) is the negative cast of the interior of a library, turned inward; a room filled with the spectral marks of books whose contents and titles appear to be lost.
