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1 de may. de 2024 · Documental Pauline Kael fue probablemente la crítica de cine más poderosa y divisiva del siglo XX. Su amor por el cine se reveló en su despiadada búsqueda de lo que hizo que una película o el rendimiento de un actor funcionaran, o no, y por qué, lo que la hizo ser admirada y despreciada por sus lectores.
Hace 5 días · The movie is an ad for The Blue Angels, the Navy, planes, the military generally, and an iconography-based sense of patriotism, as much as the "Top Gun" films, the first of which was memorably described by New Yorker critic Pauline Kael as "a recruiting poster that isn't concerned with recruiting but with being a poster."
25 de abr. de 2024 · In this review, Pauline Kael explores the exuberant artistry of Abel Gance, particularly in his film Napoléon, lauding his ability to blend avant-garde filmmaking techniques with a melodramatic and romantic flair that transforms stale, theatrical sensibilities into a mesmerizing cinematic experience.
25 de abr. de 2024 · April 25, 2024. The great Australian film "The Chant of Jimmie Blacksmith" is a dreamlike Requiem Mass for a nation’s lost honor. Australians. by Pauline Kael. The great Australian film The Chant of Jimmie Blacksmith, which was made in 1978 and has finally opened here, has almost nothing in common with the other Australian films of recent years.
Hace 3 horas · When New Yorker film critic Pauline Kael wrote a long and heated rave of Bernardo Bertolucci’s Last Tango in Paris after its premiere in 1972, she stated, among other things, that “this is a movie people will be arguing about for as long as there are movies.”. Kael may have been overdoing it when she stressed Last Tango‘s monumental importance, claiming it was a “movie breakthrough ...
2 de may. de 2024 · She had not yet become Pauline Kael, the vaunted and polarizing film critic for The New Yorker. She had not yet inspired a movement of imitators, the “Paulettes,” or established herself as one...
10 de may. de 2024 · In her contemporary review, Pauline Kael wrote: “The picture is an enormous, many-layered black joke on the hero and the audience, and part of the joke is the use of Charlton Heston as the hero.
