Resultado de búsqueda
In a March 11, 1991, announcement which The New York Times referred to as "earth-shattering," Kael announced her retirement from reviewing films regularly. At the time, Kael explained that she would still write essays for The New Yorker, along with "some reflections and other pieces of writing about movies."
14 de oct. de 2011 · Oct. 14, 2011. THE longtime New Yorker film critic Pauline Kael didn’t just write about movies — she made it seem as if they were worth fighting about. Nearly 20 years after her retirement...
13 de jun. de 2019 · Paul Schrader remembers Pauline Kael David Thomson , Peter Bradshaw , Pamela Hutchinson , Ryan Gilbey , Kate Muir and Tim Robey Thu 13 Jun 2019 10.10 EDT Last modified on Thu 13 Jun 2019 14.24 EDT
Pauline Kael (19 de junio de 1919 - 3 de septiembre de 2001) fue una crítica de cine estadounidense, que escribió para la revista The New Yorker entre 1968 y 1991. Era conocida por sus reseñas "ingeniosas, mordaces, muy obstinadas y fuertemente enfocadas"; [1] sus opiniones a menudo eran contrarias a las de sus contemporáneos. Fue una de las críticas de cine más influyentes de su época.
10 de abr. de 1994 · Pauline Kael wrote for The New Yorker from 1967 until her retirement, in 1991. In 1968, shortly after the publication of her review of “Bonnie and Clyde,” she became the magazine’s film...
7 de jun. de 2019 · In July of 1984, six months after I’d become the third-string film critic at the Village Voice, Pauline Kael introduced herself in a movie line and said nice things about my work, and within a ...
5 de sept. de 2001 · "Movie criticism now is often a report on a vacuum," she said in 1994, three years after age and ill-health had forced her retirement from the New Yorker. Luckily, the movies had Pauline Kael...
