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  1. PAULINE KAEL Circles and Squares In 1957, in the Paris monthly "Cahiers du Cinema," Frangois Truffaut proposed for the magazine a "politique des auteurs"--a policy of focussing criticism primarily upon directors, and specifically upon certain chosen directors whose individuality of style qualified them, in the eyes of the Cahiers "team," as

  2. PAULINE KAEL Circles and Squares In 1957, in the Paris monthly "Cahiers du Cinema Frangois99 Truffaut proposed for the magazine a "politique des auteurs"—a policy of focussing criticism primarily upon directors, and specifically upon certain chosen directors whose individuality of style qualified them, in the eyes of the Cahiers "team" as

  3. Circles and Squares (excerpts) by Pauline Kael. Joys and Sarris. ...It takes extraordinary intelligence and discrimination and taste to use any theory in the arts, and that without those qualitites, a theory becomes a rigid formula (which is indeed what is happening among auteur critics).

  4. Beyond her unfortunate, ad hominem attacks on Sarris’s prose style and critical motivations, KaelsCircles and Squares” usefully reminds us of the collaborative nature of filmmaking (304–305), criticizes the theorists’ fetishizing of individual artists over the practice of actual film criticism (297–301), and even illuminates the early auteur ...

  5. 14 de nov. de 2020 · She had made her name with a 1963 piece, “Circles and Squares,” savaging the film critic Andrew Sarris and other proponents of the “auteur theory,” which emphasized the primacy of ...

  6. Details. article: Circles and Squares. author (s): Pauline Kael. journal: Film Quarterly (01/Apr/1963) issue: volume 16, issue 3, pages 12-26. DOI: 10.1525/fq.1963.16.3.04a00040. journal ISSN: 0015-1386. publisher: University of California Press.