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キーボーディスト. 担当楽器. キーボード. 共同作業者. レフュジー イエス ムーディー・ブルース. 公式サイト. Patrick Moraz Official Website. パトリック・モラーツ [注釈 1] （ Patrick Philippe Moraz 、 1948年 6月24日 - ）は、 スイス 出身の キーボーディスト 。.
27 de may. de 2015 · Makes you wonder what Going For The One would've sounded like with Patrick Moraz. While I think Moraz's contributions to Relayer make it one of Yes' best, Wakeman's sound on GFTO (especially that giant church organ) would seem irreplaceable. Splungeworthy, May 27, 2015 #17. reapers likes this.
9 de ene. de 2024 · Patrick Moraz is a virtuoso keyboardist renowned for his prodigious career with Mainhorse, Refugee, Yes, The Moody Blues, and Moraz-Bruford, as well as for scoring 37 films, releasing a multitude of solo albums, and working with Bob Moog in the mid-1970s on the Polymoog and Micromoog synthesizers.
Patrick Moraz. After playing a role in the success of Yes' Relayer album in 1974, keyboardist Patrick Moraz launched a solo career and became one of the more celebrated keyboardists of his age. During the '70s, when…. Read Full Biography.
Patrick Philippe Moraz (ur.24 czerwca 1948 w Villars-Ste-Croix w Szwajcarii) – szwajcarski muzyk rockowy i jazzowy, kompozytor, grający na instrumentach klawiszowych.Współpracownik wielu zespołów, m.in. Mainhorse, Refugee, Yes i The Moody Blues. Dyskografia solowa. 1976 – Story of I 1977 – Out in the Sun 1978 – Patrick Moraz III 1979 – Future Memories Live on TV
Patrick Moraz. Esoteric Recordings veröffentlicht diese neu remasterte Wiederveröffentlichung des ursprünglich 1978 erschienenen, selbstbetitelten Albums des gefeierten Keyboard-Maestros Patrick Moraz. Das Album war…. umgehend lieferbar, Bestand beim Lieferanten vorhanden. EUR 17,99**.
Patrick Moraz: “I would immediately say Beethoven, Bach, and Mozart would be the most unbelievable in terms of the music. Also Stravinsky because he actually used to live in the town where I was born and forty years before that where he started to write ‘The Rite of Spring’ and had already written ‘The Firebird’ which was one of the music that we used to come onstage with ‘YES.’
