1946
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Maya Deren (born Eleonora Derenkovskaya, Ukrainian: Елеоно́ра Деренко́вська; May 12 [ O.S. April 29] 1917 [1] [2] – October 13, 1961) was a Ukrainian-born (then part of the Russian Empire, now independent Ukraine) American experimental filmmaker and important part of the avant-garde in the 1940s and 1950s.
In 1943, she made her first film Meshes of the Afternoon (1943), co-starring with Alexander Hammid. Through this association, at Hammid's suggestion, she changed her name to Maya, meaning "illusion." Overall, she made six short films and several incomplete films, including Witch's Cradle (1944) starring Marcel Duchamp.
Eleanora Derenkowsky conocida como Maya Deren ( Kiev, Imperio ruso, 29 de abril jul. / 12 de mayo de 1917 greg. 1 2 - Nueva York, 13 de octubre de 1961) fue una directora de cine, bailarina, coreógrafa, poeta y escritora ucraniana nacionalizada estadounidense. Fue una de las principales realizadoras de cine experimental de los años 40.
16 de nov. de 2022 · The Front Row. How Maya Deren Became the Symbol and Champion of American Experimental Film. A new biography of the iconic independent filmmaker depicts a cultural force of nature who all too...
28 de abr. de 2017 · A feature article on the career and legacy of Maya Deren, an American avant-garde filmmaker and pioneer of kinetic and graphic experiments. The article charts her seven films, from Meshes of the Afternoon (1943) to Divine Horsemen: The Living Gods of Haiti (1977), and their themes of dance, movement, ritual, ethnography and voodoo.
Maya Deren (1917 - 1961) fue una guionista y directora de Ucrania conocida por: Un falso despertar (Meshes of the Afternoon) (C), At Land (C), A Study in Choreography for Camera (C), Ritual in Transfigured Time (C), Meditation on Violence (C), Witch's Cradle (C), The Very Eye of Night (C), The Private Life of a Cat (C), Women Make Film: Una ...
18 de feb. de 2017 · February 14–19, 2003. Breaking the Mirror: The Films of Maya Deren. Dancer, ethnographer, philosopher, and “visual poet” Maya Deren (1917–1961) gave birth to the American avant-garde film movement of the postwar era in America, and her work remains key to our understanding of the modern cinema.
