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  1. 7 de mar. de 2023 · Summary. Luigi Nono was one the first and foremost Italian composers to develop multiple serialism. Stimulated by the teachings and friendship of Bruno Maderna, in the years 1950–1 he started composing with an extended twelve-tone technique that involved complex rhythmic permutations.

  2. 978-1-108-49252-2 — The Cambridge Companion to Serialism Edited by Martin Iddon Frontmatter ... 10 Luigi Nono and the Development of Serial Technique angela ida de benedictis and veniero rizzardi [154] ix. Cambridge University Press & Assessment 978-1-108-49252-2 — The Cambridge Companion to Serialism

  3. en.wikipedia.org › wiki › SerialismSerialism - Wikipedia

    Serialism. Six-element row of rhythmic values used in Variazioni canoniche by Luigi Nono. [1] In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements.

  4. 3 The encounter is recorded in Luigi Nono, “Un’ autobiografica dell’autore racco-ntata da Enzo Restagno (1987),” in Luigi Nono: ... of music, ranging from Gregorian chant to twelve-tone serialism. It is 4 Paul Hindemith, The Craft of Musical Composition, vol. 1, trans. Arthur Mendel

  5. en.wikipedia.org › wiki › Luigi_NonoLuigi Nono - Wikipedia

    Luigi Nono (Italian pronunciation: [luˈiːdʒi ˈnɔːno]; 29 January 1924 – 8 May 1990) was an Italian avant-garde composer of classical music. ... Luigi Nono and the Development of Serial Technique, in The Cambridge Companion to Serialism, edited by Martid Iddon. Cambridge: Cambridge University Press. Feneyrou, ...

  6. 16 de feb. de 2023 · Request PDF | Luigi Nono and the Development of Serial Technique | What is serialism? Defended by enthusiastic champions and decried by horrified detractors, serialism was central to...

  7. 16 de dic. de 2017 · At the outset, post-serialists included the French composer Pierre Boulez (1925-2016), the German Karlheinz Stockhausen (1928-2007), and the Italians Luigi Nono (1924-1990) and Bruno Maderna (1920-1973). Nono went as far as to call these four the “Darmstadt School” in a lecture given in 1957.