Resultado de búsqueda
Love Actually er et romantisk komediedrama og julefilm fra 2003 skrevet og instrueret af Richard Curtis. Filmen er en ensemble-fortælling der foregår under højtiden og følger otte forskellige par i London og deres problemer med at få kærligheden til at fungere. Trods blandede anmeldelser var filmen en publikumssucces i Danmark og blev nomineret til to Golden Globes og tre BAFTA-priser ...
7 de nov. de 2003 · "Love Actually" is a belly-flop into the sea of romantic comedy. It contains about a dozen couples who are in love; that's an approximate figure because some of them fall out of love and others double up or change partners. There's also one hopeful soloist who believes that if he flies to Milwaukee and walks into a bar he'll find a friendly Wisconsin girl who thinks his British accent is so ...
Nine intertwined stories examine the complexities of the one emotion that connects us all: love. Among the characters explored are David (Hugh Grant), the handsome newly elected British prime ...
24 de dic. de 2023 · Love Actually's writer and director, Richard Curtis, had achieved quite a lot of success on TV by the mid-90s but his breakout movie success was his charming screenplay for the smash hit movie Four Weddings and a Funeral.It was also the breakout moment of star Hugh Grant's movie career, propelling him to global fame and cementing a long-running working relationship with Curtis.
Love Actually. Love Actually är en brittisk romantisk komedifilm med jultema från 2003, skriven och regisserad av Richard Curtis. [ 1] I rollerna ses bland andra Hugh Grant, Liam Neeson, Colin Firth, Laura Linney, Emma Thompson, Alan Rickman, Keira Knightley och Bill Nighy .
13 de nov. de 2023 · Here are 25 things you might not have known about the hit film, which is celebrating its 20th anniversary. 1. Love Actually ’s airport footage was shot with hidden cameras. Footage of passengers ...
8 de dic. de 2019 · The Love Actually wars are really a proxy conflict symbolic of the divided Britain we inhabit today. The film itself is a postmodern ironic commentary on the hubris of the Blair years.
