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  1. Hace 4 días · John Entwistle died as a result of a massive cocaine overdose, it was revealed last night. The 57-year-old bass player with The Who was found dead in a Las Vegas hotel room last month on the...

  2. en.wikipedia.org › wiki › The_WhoThe Who - Wikipedia

    Hace 2 días · John Entwistle – bass guitar, horns, backing and lead vocals (1962–1983, 1985, 1988, 1989, 1996–2002; his death) Keith Moon – drums, backing and lead vocals (1964–1978; his death) Doug Sandom – drums (1962–1964; died 2019)

  3. Hace 1 día · A little more than an hour after he had collapsed, DeRosia's body temperature was 107 °F (42 °C). The following afternoon, he fell into a coma; he died at 12:09 pm on Monday, July 26, having never awoken. The autopsy report ruled the death accidental, and listed the cause of death as hyperthermia aggravated by cardiomegaly and obesity.

  4. Hace 2 días · Townshend and school friend John Entwistle formed a short-lived trad jazz group, the Confederates, featuring Townshend on banjo and Entwistle on horns. The Confederates played gigs at the Congo Club, a youth club run by the Acton Congregational Church, and covered Acker Bilk, Kenny Ball, and Lonnie Donegan.

  5. Hace 3 días · Cuando Townshend, John Entwistle y Keith Moon reforzaron su interacción instrumental, y Roger Daltrey se convirtió en uno de los cantantes más poderosos del rock, el guitarrista y cerebro de The Who tuvo la confianza para emprender proyectos aún más ambiciosos, como las óperas rock «Tommy» y «Quadrophenia»; y quizás el mejor disco de la banda, «Who’s Next«.

  6. Hace 5 días · The Who, from left: Guitarist Pete Townshend, vocalist Roger Daltry, drummer Keith Moon and bass player John Entwistle. 'See Me, Feel Me' What became “Tommy” took six months and cost $36,000 ...

  7. Hace 4 días · It didn’t take hindsight of over half a century to realize The Who’s Tommy (released 5/17/69), delivered all the breakthroughs the band was seeking at the time of its release.But it’s still a marvel to comprehend how the tempestuous British quartet’s live renditions of the so-called ‘rock opera’ invariably superseded the studio recordings on the double LP as originally issued.