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  1. Johannesburg, 2nd Greatest City after Paris; You might like. Left Right. Bear Sir Steve McQueen. 1993. Felix in Exile William Kentridge. 1994. History of the Main Complaint William Kentridge. 1996. Going Tornado Paul Neagu. 1974. The Last Clown Francis Alÿs. 1995–2000. Vacancy Matthias Müller. 1998.

  2. 2 de dic. de 2013 · Johannesburg - Second Greatest City after Paris. Browse the collection. From The Broad Collection: William Kentridge, Johannesburg - Second Greatest City after Paris, 1989, 16mm animated film, The Broad Art Foundation.

  3. Año: 1989. Título original: Johannesburg, 2nd Greatest City After Paris. Sinopsis: El irónico homenaje de William Kentridge a su ciudad natal, animado a partir de 25 dibujos, es la primera película de su ciclo "Dibujar para proteger", en el que despliega el triángulo entre ...Puedes ver Johannesburg, 2nd Greatest City After Paris (C ...

  4. Overview. William Kentridge’s ironic tribute to his hometown, animated on the basis of 25 drawings, is the first film of his “Drawing for Protection” cycle, in which he unfolds the triangle between Johannesburg building tycoon Soho Eckstein, his wife, and the dreamer Felix Teitelbaum.

  5. Synopsis: William Kentridge’s ironic tribute to his hometown, animated on the basis of 25 drawings, is the first film of his “Drawing for Protection” cycle, in which he unfolds the triangle between Johannesburg ...You can watch Johannesburg, 2nd Greatest City After Paris (S) through on the platforms:

  6. JOHANNESBURG, 2ND GREATEST CITY AFTER PARIS. Dirigida Por. William Kentridge. Sudáfrica, 1989. Animación, Cortometraje. 8. Sinopsis. First film in the ‘Drawings for Projection’ series, introducing the characters central to most of Kentridge’s subsequent films in the series, businessman Soho Eckstein and artist Felix Teitelbaum.

  7. William Kentridge Director. Critics reviews. First film in the ‘Drawings for Projection’ series, introducing the characters central to most of Kentridge’s subsequent films in the series, businessman Soho Eckstein and artist Felix Teitelbaum. Made from 25 drawings, the film follows an episodic configuration.