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  1. Nana is a film directed by Jean Renoir with Catherine Hessling, Pierre Lestringuez, Pierre Champagne, Werner Krauss .... Year: 1926. Original title: Nana. Synopsis: Based on the famous novel by Emile Zola. The vivacious and beautiful Nana seeks fame on the stages of Paris in the shows at the Théâtre des Variétés. (which will look familiar to lovers of ...You can watch Nana through Rent ...

  2. Nana parece emanar mais luz, uma luz mais chapada, unidimensional. Nesse sentido, A Caixa de Pandora é mais dramático, intenso. Contudo, se Jean Renoir não absorve muitas características expressivas que proporiam um impacto mais profundo no drama, deslumbra pelos artifícios impressionistas em que reage seus planos.

  3. Nana película dirigida por Jean Renoir y protagonizada por Catherine Hessling, Pierre Lestringuez y Jacqueline Forzane. Año: 1926. Sinopsis: Naná aspira a triunfar en el teatro. Después de un fracaso estrepitoso al interpretar el papel de dama distinguida, decide a aceptar las reiteradas proposiciones del Conde Muffat. Al mismo tiempo que ...

  4. Jean Renoir's second film was this lavishly appointed adaptation of Emile Zola's novel Nana. Renoir does an admirable job retelling Zola's woeful tale of a covetous Parisian slum girl in purely visual terms. Hoping to escape her tawdry surroundings, Nana has an affair with high-ranking government official George Muffat.

  5. 3 de oct. de 2019 · Extrait du film «Nana» [1926] de Jean Renoir, d'après le roman d'Émile Zola. Musique de Baudime Jam. Création du ciné-concert «Nana» par le Quatuor Prima Vis...

  6. 30 de jul. de 2020 · This is the second film directed by Jean Renoir. As in his first film, La fille de l'eau [Whirlpool of Fate], his wife and former model of his father the painter Auguste Renoir, Catherine Hessling, is starring. But this is the only common point between the two films: La fille de l'eau was a low-budget, rather avant-garde film, with oniric scenes and a slow melancholic mood, where Hessling was ...

  7. Yet Renoir was hooked on filmmaking and, with leftover raw stock from Nana, directed the offbeat fantasy Sur Un Air De Charleston (Charleston Parade) (1926) with Hessling playing an innocent savage in the post-apocalyptic ruins of Paris who performs a courtship dance for a visiting astronaut (Johnny Higgins, a black American tap dancer spotted ...