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22 de feb. de 2021 · Amazing Moments in Timbre | Timbre and Orchestration Resource. by Chris Lortie and Yuval Adler. Published: February 22, 2021. In 1971, American composer James Tenney wrote the solo violin piece Koan as part of his Postal Pieces. The score is contained entirely on a postcard consisting of only seven measures.
The Timbre and Orchestration Resource (TOR) is an open-access web platform supporting the analysis, creation and teaching of timbre and orchestration. Research Resources. Tools for analyzing timbre and orchestration, research-creation outputs from the ACTOR Partnership’s flagship projects, and topic-themed bibliographies. Learn more. Publications.
13 de mar. de 2024 · Writings are a curated collection of publications on timbre and orchestration studies, spanning research, scholarship, and pedagogy. It provides a platform for sharing knowledge and insights on the study, understanding, application, and teaching of these musical elements.
23 de feb. de 2021 · As part of building the Timbre and Orchestration Resource, this article has been permanently moved to: https://timbreandorchestration.org/writings/amazing-moments-in-timbre/2021/2/22/koan-by-james-tenney. Subwhistle — Brian Jacobs. different forms of phosphorus — Karola Obermüller.
Among the compositional concerns addressed are the duality of timbre and harmony, the harmonic series as a structural resource, the instrumental synthesis of speech, rhythmic analogs of spectral structures, the expansion of traditional harmonic means, and practical performance considerations.
This chapter examines Tenney’s harmonic theories and illustrates their compositional expression via analyses of his just-intoned Harmonium #1 (1976) and Harmonium #3 (1978). Keywords: James Tenney, harmony, consonance, dissonance, spectral music, spectralism, just intonation, Tonnetz.
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