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McKellen has been an innovator on the Internet, with one of the earliest official sites for an actor, McKellen.com, launched on September 1, 1997. In 1999 he began publishing a series of journal entries that evolved into one of the earliest non-technical blogs. His followings on social media connect more than 10 million fans.
Two acting titans reunite for this popular Harold Pinter play, don’t miss No Man’s Land tickets. Sir Ian McKellen and Patrick Stewart reunite to star in Harold Pinter’s critically acclaimed absurdist play No Man’s Land. Originally opening in 1975 starring Ralph Richardson and John Gielgud, No Man’s Land played at what is now known as ...
Découvrez tous les films et séries de la filmographie de Ian McKellen. ... Gus, le chat du théâtre 1,5. 2019 L'Art du mensonge: Roy Courtnay 3,5. 2018 All Is True: Henry Wriothesley 2,9.
8 de feb. de 2018 · Ian McKellen will star as King Lear in the West End, as the Chichester Festival Theatre production of Shakespeare’s classic tragedy transfers to London this Summer. Returning to the site of his West End debut in 1964 – the Duke of York’s Theatre – the legendary stage and screen actor will lead the production of King Lear, which plays for 100 performances from 11 July to 3 November.
14 de jun. de 2019 · Ian McKellen On Stage will play at the Harold Pinter Theatre between 20 September 2019 and 5 January 2020. The production is directed by Ian’s long-time collaborator Sean Mathias. Tickets are now on sale – so, much like his famous wizard character, make sure you’re not late to the party! Having sold out over 80 theatres with his solo show ...
29 de abr. de 2021 · Ian McKellen découvre le théâtre lorsqu'il a 3 ans, lors d'une sortie en famille pour voir Peter Pan à l'Opéra de Manchester. De là, nait une vraie passion. Il décroche des années plus tard une bourse pour la prestigieuse université de Cambridge et fait ses débuts dans le théâtre amateur de son université.
12 de feb. de 2018 · Ian McKellen played King Lear ten years ago, a wistful presence at the heart of Trevor Nunn’s vehemently operatic interpretation for the Royal Shakespeare Company.
