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  1. 19 de abr. de 2024 · In both the Brahms and her encore of the Sarabande from J. S. Bach’s D-minor Partita, Hahn phrased the music’s recurring thematic ideas to highlight, on each turn, different aspects of their color and shape—as though she were holding up these familiar passages to the light and examining them from different angles—giving her entire performance a compelling narrative logic.

  2. www.classicalwcrb.org › 2023/09/25 › hilary-hahn-the-bso-and-brahmsHilary Hahn, the BSO, and Brahms | CRB

    21 de abr. de 2024 · Hilary Hahn. Saturday, April 20, 2024. 8:00pm. Encore broadcast on Monday, April 29. Hilary Hahn returns to Symphony Hall and the Boston Symphony as the soloist in the Violin Concerto by Johannes Brahms.

  3. 26 de abr. de 2024 · Hilary Hahn, Gustavo Dudamel and the New York Philharmonic. Contravening tradition, the concerto begins with a five-minute unaccompanied cadenza. Hahn was arresting and commanding from the onset, giving the solo material – a veritable encyclopedia of violin technique – with searing conviction.

  4. 18 de abr. de 2024 · BRAHMS Violin Concerto. Opening the program is Wolfgang Mozart’s charming Symphony No. 33, followed by Anna Thorvaldsdottir's monumental work Archora, a recording of which was named among the best of 2023 by the Boston Globe, New York Times, and NPR. Closing the program, international star Hilary Hahn is soloist in one of the ...

  5. 18 de abr. de 2024 · Hilary Hahn will perform Brahm’s Violin Concerto in D, Opus 77 with the Boston Symphony Orchestra on Thursday, Friday and Saturday. Violinist Hilary Hahn on performing Brahms with the BSO: 'It really gives you infinite possibilities' | GBH

  6. 25 de abr. de 2024 · Audiences held their breath, reluctant to disrupt the sublime performance, in which her left hand moved with great facility up and down the fingerboard — something that can only be achieved with ...

  7. 25 de abr. de 2024 · Following an intermission, Hahn finally performed her rendition of Brahms’s “Violin Concerto in D, Opus 77.” Donning a striking gold dress, Hahn stood elegantly for the exposition of the piece; when the moment arrived for her solo, she fully embraced the concerto’s drama, delivering a passionate and compelling entrance that captured the essence of the music.