Resultado de búsqueda
Hace 19 minutos · Riffing on J.M. Coetzee’s 1991 essay The Mind of Apartheid, the public persona of boeremusiek celebrity Nico Carstens, and his much-publicized disavowal of boeremusiek, is the focus of this chapter. I consider the boeremusiek of the 1950s as part of apartheid’s aesthetics of perversity by analyzing the presence of the racialized other in Carstens’s music, and how the label “boeremusiek ...
