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Eleanor Donnelly Erdman Hall. - A A + A. 1960–1965, Louis Kahn. ☰ SEE METADATA. After a desultory generation of mostly insignificant architecture, Bryn Mawr returned to its heritage of significant buildings when it commissioned Kahn to design its first dormitory since the 1930s.
Louis Kahn. Typologies Residence Housing Library. Date 1960 - 1965. Photographer Grant Mudford. El arquitecto elegido en un primer momento por Katherine Elizabeth McBride, presidenta del campus universitario femenino del Bryn Mawr College, para el diseño de una nueva biblioteca y un nuevo colegio mayor fue Richard Neutra.
Erdman Hall Dormitories at Bryn Mawr Pennsylvania 1960—1965. Erdmann Hall of Bryn Mawr College is designed as three cubic structures with smaller cubic structures within. According to Louis Kahn, the three cubes connected at the corners of this building represent three interconnected families.
El Alojamiento Erdman Hall, situado en Morris Avenue Bryn Mawr, Pennsylvania es una obra de Louis Kahn construida entre 1960 y 1965. El arquitecto elegido en un primer momento por Katherine Elizabeth McBride, presidenta del campus universitario femenino del Bryn Mawr College, para el diseño de una nueva biblioteca y un nuevo colegio mayor fue ...
Opened in 1965, the Eleanor Donnelly Erdman was designed as a modern Scottish castle by architect Louis Kahn. Composed of three connecting units (or "diamonds"), it houses the College's largest dining hall, and several meeting spaces. The majority of Erdman bedroom spaces are singles.
Louis I. Kahn. Eleanor Donnelley Erdman Hall, Bryn Mawr College, Bryn Mawr, Pennsylvania, Plan and elevation sketches. 1960-61. Crayon on tracing paper. 12 1/8 x 16" (30.8 x 40.6 cm). Gift of the architect. 385.1967. © 2024 Estate of Louis I. Kahn. Architecture and Design.
Louis Kahn's Erdman Hall at Bryn Mawr College was among the first of his works to achieve an international reputation. The three diamonds of its plan, the most striking aspect of the design, were the culmination of a decade of experimentation with geometric forms and his musings over an even longer period about the
