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A short film directed by Jessica Sanders / Story by Aimee Bender. END OF THE LINE CAST & CREW, AUGUST 2017 - QUIXOTE STUDIOS. DIRECTOR'S STATEMENT - JESSICA SANDERS. I have always loved Aimee Bender’s surreal and unusual stories.
END OF THE LINE is a short film directed by Jessica Sanders (Oscar-nominated, Sundance and Cannes winner) based on acclaimed writer Aimee Bender's surrealist short story about a lonely man who goes to the pet store and buys a tiny man in a cage. The story explores themes of power and abuse of power in a highly creative and unusual way.
26 de abr. de 2019 · A man buys a little man in a cage and keeps him like a pet, and Bender pushes this scenario to its extremes, exploring our darkness and our innocence at more or less the same time. I can’t tell you how much I love this story – and the reason I can’t tell you is because I worry about what that says about me. First published in Tin House ...
6 de mar. de 2018 · One of the many short films to world premiere at this year’s Sundance Film Festivalwas director Jessica Sanders’ End of the Line. Based on a story by Aimee Bender , the film is about a lonely man ( Brett Gelman ) who goes to the pet store and buys a tiny man ( Simon Helberg ) in a cage.
15 de dic. de 2009 · The little man shook his head. He looked wearily at the big man. «I’m the end of this line for you,» he said. It was the longest sentence he’d said in weeks. The big man pushed the cage over and the little man hit the side of the sofa. «Yes!» howled the big man. «I want to see your children too. How I love children!»
24 de jul. de 2023 · “The End of the Line” is among the best and strangest things she’s written. The idea of the story is: a man goes into a pet store and buys, as a pet, a little man. The little man lives in a little cage with a miniature sofa and miniature TV. A meal for him is a drop of whiskey and “a thread of chicken with the skin still on.”
1 de abr. de 2011 · One of the things that struck me the most about “The End of the Line,” a story whose cruelty and violence actually made me uncomfortable, was the move at the very end—where the little little girl, if you will, has such sympathy and feeling and pity for the Big Man.
