Resultado de búsqueda
END OF THE LINE is a short film directed by Jessica Sanders (Oscar-nominated, Sundance and Cannes winner) based on acclaimed writer Aimee Bender's surrealist short story about a lonely man who goes to the pet store and buys a tiny man in a cage. The story explores themes of power and abuse of power in a highly creative and unusual way.
A short film directed by Jessica Sanders / Story by Aimee Bender. END OF THE LINE CAST & CREW, AUGUST 2017 - QUIXOTE STUDIOS. DIRECTOR'S STATEMENT - JESSICA SANDERS. I have always loved Aimee Bender’s surreal and unusual stories.
Aimee Bender is the author of five books: The Girl in the Flammable Skirt (1998) which was a NY Times Notable Book, An Invisible Sign of My Own (2000) which was an L.A. Times pick of the year, Willful Creatures (2005) which was nominated by The Believer as one of the best books of the year, The Particular Sadness of Lemon Cake (2010) which ...
24 de jul. de 2023 · “The End of the Line” is among the best and strangest things she’s written. The idea of the story is: a man goes into a pet store and buys, as a pet, a little man. The little man lives in a little cage with a miniature sofa and miniature TV. A meal for him is a drop of whiskey and “a thread of chicken with the skin still on.”
1 de abr. de 2011 · One of the things that struck me the most about “The End of the Line,” a story whose cruelty and violence actually made me uncomfortable, was the move at the very end—where the little little girl, if you will, has such sympathy and feeling and pity for the Big Man.
Adapted from acclaimed writer Aimee Bender's magical and surrealist short story, this tale of loneliness, desire, power and its abuse follows a man who goes to the pet store an buys a tiny man a cage. Directed by Academy Award nominee, Sundance and Cannes winner Jessica Sanders.
26 de abr. de 2019 · A man buys a little man in a cage and keeps him like a pet, and Bender pushes this scenario to its extremes, exploring our darkness and our innocence at more or less the same time. I can’t tell you how much I love this story – and the reason I can’t tell you is because I worry about what that says about me. First published in Tin House ...
