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24 de ene. de 2003 · In 1943, the electronic music pioneer Daphne Oram, who has died aged 77, ... Among her early instrumental compositions, the unperformed, 30-minute Still Point (1950) stands out.
The Daphne Oram Trust Emergency Support Grants; Music for 2020 inspired by Wordsworth – apply now to The Quietus and Aerial Festival; The Oram Awards 2020; About Oram. Daphne Oram – a brief biography; Manning and Candlish on Oram’s technical contribution ‘The Woman from New Atlantis’ – Dan Wilson; Still Point at the BBC Proms 2018 ...
24 de jul. de 2016 · ABSTRACT In 1948, whilst working as a radio programme engineer at the BBC, the British composer Daphne Oram created a highly innovative piece for double orchestra, turntable and live electronics, entitled 'Still Point'. The final score, dated April 1950, details ‘pre-recordings to be mixed in at varying speeds, backwards & with filterings plus reverberation.’
The Daphne Oram Trust Emergency Support Grants; Music for 2020 inspired by Wordsworth – apply now to The Quietus and Aerial Festival; The Oram Awards 2020; About Oram. Daphne Oram – a brief biography; Manning and Candlish on Oram’s technical contribution ‘The Woman from New Atlantis’ – Dan Wilson; Still Point at the BBC Proms 2018 ...
Daphne Blake Oram (* 31.Dezember 1925 in Devizes; † 5. Januar 2003 in Maidstone) war eine britische Komponistin und Pionierin elektronischer Musik und die erste Frau, die ein elektronisches Musikinstrument konstruierte. Sie war die Erfinderin der Oramics-Technik, einer eigenen Version der gezeichneten Tonerzeugung und eine der ersten britischen Komponistinnen, die elektronische Klänge ...
Still Point was an innovative piece performed with three 78rpm discs and five microphones. Many consider Still Point to be the first composition that combined acoustic orchestration with live electronic manipulation. Oram submitted the piece to BBC for the Prix Italia award, but they rejected it. Lost to the BBC’s archives, Still Point ...
This is a presentation jointly written by myself and Shiva Feshareki. Shiva Feshareki's part consisted of a description of the surviving materials for Daphne Oram's 'Still Point', and her approach to creating a performing version of those materials. I contributed a substantial introduction to her part of the presentation, placing Still Point in the context of Daphne Oram's work as a whole.
