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The two volumes now available—Perceptions and Judgments, 1939-1944 and Arrogant Purpose, 1945-1949—bring together for the first time Mr. Greenberg’s critical writings from the decade in which he emerged as the most informed and articulate champion of the New York School as well as one of our most trenchant analysts of the modern cultural scene.
19 de ago. de 2021 · Clement Greenberg (b. 1909–d. 1994) was the most influential and controversial art critic of his time. His writings in defense of contemporary abstract art, first of abstract expressionism and then of post painterly abstraction or color-field painting, were accompanied by a theory of modernism developed in the late 1930s in response to the ...
1 de jun. de 1998 · So runs the myth of Clement Greenberg (1909-94), the most articulate and forceful voice in American art criticism in the postwar years and now the subject of a new biography by Florence Rubenfeld. 1 A journalist and a former editor of New Art Examiner, Rubenfeld has the tenacity of a born researcher, and is a regular truffle pig when it comes to tracking down former girlfriends and old cronies.
Clement Greenberg (16 Ocak 1909 - 7 Mayıs 1994), 20. yüzyılın en etkili sanat eleştirmenlerinden olup soyut sanatın yayılmasına katkıda bulunmuştur. Özellikle Jackson Pollock tarafından başlatılan soyut dışavurumculuk (kendi tabiriyle resimsel soyutlama) akımının savunucularından olmasıyla tanınır.
11 de sept. de 2016 · A finales de mayo de 1994 moría en Estados Unidos Clement Greenberg. Tenía ochenta y cinco años y era uno de los críticos de arte más brillantes y respetados de la segunda mitad del siglo XX.
Neofetou aptly underlines the links between Greenberg and Trotsky (as well as Breton), aesthetically as well as politically, not only in the 1930s but much beyond, while no less aptly disclosing the political and ideological recuperation of social realism (the most important name here is Ben Shahn) by US foreign policy, which in the Cold War systematically showcased social realism alongside ...
LE CONTEXTE HISTORIQUE . DE . L’Avant-Garde et le Kitsch, 1939 . par Clement Greenberg . Qu’est-ce que la vie ? Si l’on paraphrase le peintre, Ad Reinhardt, « La vie est tout ce qui n’est pas de l’art ou l’art est tout ce qui n’est pas de la vie… » ce qui signifie que beaucoup a été exclu de art…an exclusion, ce qui plairait au critique new-yorkais, Clement Greenberg.
