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Cinema of Unease: A Personal Journey by Sam Neill is a documentary about the history of New Zealand cinema written by Sam Neill and co-directed by Neill and Judy Rymer. The film was released in 1995, and was New Zealand's contribution to the British Film Institute's Century of Cinema series. The title refers to the dark and brooding nature of many of New Zealand's most notable films, which ...
Cinema of Unease: A Personal Journey by Sam Neill: Directed by Sam Neill, Judy Rymer. With Timothy Balme, Melanie Lynskey, Elizabeth Moody, Sam Neill. A personal journey through Sam Neill's childhood and memories.
30 de sept. de 2022 · Cinema of Unease: A Personal Journey by Sam Neill is a documentary about the history of New Zealand cinema written by Sam Neill and co-directed by Neill and ...
Cinema of Unease - A Personal Journey by Sam Neill - Sam Neill weaved elements of autobiography into this controversial, quirky and acclaimed analysis of Kiwi cinema — from its beginnings, to the dark flowering of achievement in the breakthrough films of Peter Jackson, Jane Campion and Lee Tamahori. The hour-long award-winner debuted at the 1995 Cannes Film Festival.
"Internationally acclaimed actor Sam Neill makes a personal journey in 1995 through New Zealand cinematic history to celebrate a centenary of film in New Zealand. Co-directed by Sam Neill and Judy Rymer, Cinema of Unease looks at the cultural and historical context from which the New Zealand film industry has sprung and explores the emergence of a national cinematic style.Cinema of Unease is ...
Cinema of Unease follows internationally acclaimed actor, Sam Neill, on a personal journey through New Zealand’s film history. Show more Cinema of Unease examines the cultural and historic context from which the New Zealand film industry grew, and explores the emergence of a national cinematic style.
Sam Neill is an excellent guide through this wing of cinema, and his jabs and quips throughout were both fun and clever. Also, Neill at one point mocks New Zealand’s new British architecture and Thatcher-related politics, which was a joy. Still, there’s a core here that’s ominous and mournful.
