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Cindy Sherman. For four decades, Cindy Sherman has probed the construction of identity, playing with the visual and cultural codes of art, celebrity, gender, and photography. She is among the most significant artists of the Pictures Generation—a group that also includes Richard Prince, Louise Lawler, Sherrie Levine, and Robert Longo —who ...
Cynthia Morris Sherman (born January 19, 1954) is an American photographer and film director, best known for her conceptual portraits. In 1995, she was the recipient of a MacArthur Fellowship. In 2013 she received an honorary doctorate degree from the Royal College of Art, London.
Sherman works in series, typically photographing herself in a range of costumes. To create her photographs, Sherman shoots alone in her studio, assuming multiple roles as author, director, make-up artist, hairstylist, wardrobe mistress, and model.
Artista, fotógrafa, directora de cine estadounidense Al girar la cámara hacia sí misma, Cindy Sherman ha sido una de las fotógrafas más respetadas del siglo XX. A pesar de que la mayoría de sus fotografías son imágenes de ella, sin embargo, estas fotografías no son autorretratos.
Cindy Sherman is a contemporary master of socially critical photography. She is a key figure of the " Pictures Generation ," a loose circle of American artists who came to artistic maturity and critical recognition during the early 1980s, a period notable for the rapid and widespread proliferation of mass media imagery.
Cindy Sherman is an American photographer and filmmaker whose self-portraits offer critiques of gender and identity. View Cindy Sherman’s 2,841 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices.
Cindy Sherman ( Glen Ridge, Nueva Jersey; 19 de enero de 1954), nacida con el nombre de Cynthia Morris Sherman, es una fotógrafa y directora de cine estadounidense. Una de las mayores representantes de la fotografía de posguerra, exhibió más de tres décadas de su trabajo en el MoMA de Nueva York .
