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  1. 8 de nov. de 2016 · Estudios: Abbey Road Studios, Londres. Grabación "Paint Box": Octubre de 1967. Estudios: De Lane Lea Studios, Londres. Discográfica U.K: Columbia/EMI. N° de catalogo: DB 8310. Tracks: Lado A. 01 Apples And Oranges. (Barrett) 3:08. Lado B. 01 Paint Box. (Rick Wright) 3:33. Single Vinyl 7' - Edición U.K: Discográfica: Columbia Records.

  2. Apples And Oranges / Paintbox (single, 1967) It Would Be So Nice / Julia Dream (single, 1968) A Saucerful Of Secrets (1968) Point Me At The Sky / Careful With That Axe, Eugene (single, 1968) Biding My Time (track from Relics, 1969) Ummagumma (1969) Zabriskie Point (soundtrack, 1970)

  3. Produced by Norman Smith at EMI Abbey Road Studios, November 2, 1967. APPLES AND ORANGES. Pink Floyd 1967. Lyrics/Music: Barrett. Got a presstop can, cigarettes in my pocket. Going up to the shops. Shopping at shops she's walking with a sunshine tan. Feeling very cool. At the butchers and the bakers and the supermarket stall.

  4. Apples and Oranges (song) " Apples and Oranges " is the third UK single by Pink Floyd, the final one written by Syd Barrett, [3] and released in 1967. The B-side was "Paint Box" written by Richard Wright. The song is about a girl whom the narrator meets at the supermarket. The song was recorded shortly before the band's US tour, on 26 and 27 ...

  5. Apples and Oranges / Paintbox, a Single by The Pink Floyd. Released in 1967 on Columbia (EMI) (catalog no. DB8310; Vinyl 7"). Genres: Psychedelic Rock, Psychedelic Pop.

  6. Following a disastrous American taping of “Apples and Oranges” at The Pat Boone Show in which Barrett stood motionless instead of performing (as well as a similar spaced-out interview on American Band Stand) the other members of Pink Floyd decided that they needed a fifth member to backup Barrett’s unpredictability. Drafting Barrett’s guitarist friend from art school, David Gilmour ...

  7. Apple Records es un sello discográfico fundado en 1968 como división de Apple Corps por el grupo de rock británico The Beatles. Hasta 1975, EMI y Capitol Records acordaron la distribución del material publicado por Apple; mientras Apple mantenía los derechos sobre los álbumes de los artistas contratados, EMI retenía los ...