Resultado de búsqueda
18 de may. de 2012 · Friday, May 18, 2012. Alvin Lucier - I Am Sitting in a Room (320) Year: 1981. Genre: Tape Music/Electroacoustic. Country: United States. Link: http://www.mediafire.com/download.php?x6m6tlu5eownsqn. "About five years ago, I went to the composer Alvin Lucier’s concert.
ALVIN LUCIER (1931): I AM SITTING IN A ROOM (ESTOY SENTADO EN UNA ESTANCIA, 1969) Se trata de una de las obras más "radicales" de música concreta, consistente en una lectura de un texto en una estancia, cuya grabación se emite en otra estancia, con unas características acústicas distintas, grabando el resultado nuevamente, y repitiendo el ...
Alvin Lucier, exploración y resonancias en los límites de la audición "Estoy sentado en una habitación diferente a la que estás ahora. Estoy grabando el sonido de mi voz hablante y lo voy a reproducir en una habitación una y otra vez hasta que las frecuencias de resonancia de la habitación se refuercen de modo que se destruya cualquier ...
20 de ene. de 2015 · In 1969 American composer Alvin Lucier first performed his landmark work I Am Sitting in a Room, conceived for voice and electromagnetic tape. Lucier read a text into a microphone. Attempting to smooth out his stutter, he began with the lines, “I am sitting in a room, the same one you are in now.
I am sitting in a room. I am sitting in a room is a sound art piece composed in 1969 and one of composer Alvin Lucier 's best known works. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room, re-recording it.
27 de ene. de 2005 · "I Am Sitting in A Room" is a psycho-acoustic classic by Alvin Lucier for voice and tape. The phrases describing the action are recorded, then played into a room and re-recorded. And that goes on over and over again. Collage artist Residuum takes the text by Lucier and let the computer speak it.
27 de dic. de 2013 · Friday, December 27, 2013. Alvin Lucier, Still and Moving Lines, Decibel. Alvin Lucier somehow manages to come up with compositions that have such a personal singleness of purpose that they may exasperate you at first. But the more you listen, the more you cannot forget them. You even at the end like them, or I usually do, but as part of a process.