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  1. 1 de jun. de 2020 · Abbey Road to the Rescue. One of the easiest and most straightforward ways to free up space in a mix is to use EQ to clean up your reverb sends. There are a few ways to do this, and we’ll mention a couple forthwith, but first and foremost there’s the Abbey Road Reverb Trick.

  2. 11 de ene. de 2018 · Start with the standard Abbey Road EQ settings at 600Hz and 10kHz and see where your ears take you. One of the techniques that make up the “Abbey Road Sound” is referred to, colloquially, as the “Abbey Road Reverb Trick.”

  3. Developed in close collaboration with Abbey Road Studios; Precise modeling of the rare gear used on classic recordings; 3 bands, 4 frequencies per band, 6 filter types per band; Stereo, dual mono, or mid-side processing; Models the velvety, transparent sound of passive equalization; EQ graph provides visual frequency response confirmation

  4. The Abbey Road Reverb Technique. One of the easiest ways to free up space in a mix with reverb is with the "Abbey Road Reverb Technique." To start, place an EQ plugin before you reverb plugin. Set a high-pass filter up to 600 Hz to take out all of the low-end mud.

  5. 9 de ene. de 2023 · Removing the low end. Controlling the high end. Automating low-pass filter to open in buildups. The Abbey Road EQ tricks. Spectral shaping in combination with EQ. EQing pre vs post reverb. There’s a decision to make about whether to place your EQ before or after a reverb in the signal path.

  6. 20 de ene. de 2023 · The Abbey Road trick is so named because it was invented at Abbey Road studios, to help create space in mixes that may otherwise be overwhelmed by reverb. The technique is quite simple and surprisingly effective. It goes like this.

  7. 25 de sept. de 2023 · The Abbey Road trick involves placing an EQ before your reverb unit. I use the EQ for a highpass filter at 500-600Hz and a lowpass filter at 10 kHz, although sometimes I might filter away more high frequencies depending on the amount of sibilance in the vocals and how much I want the listener to be aware of the reverb.