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Chinese, born 1957
Zhang Peili, Eating, 1997, three-channel video, color, sound, 28 minutes. THE 1990S was a decade of fervent experimentation for Zhang, marked by his full-blown immersion in video.
27 de oct. de 2018 · Zhang Peili, one of the most respected conceptual Chinese artists working primarily in new media art throughout his artistic practice, has been known for his skepticism of the mainstream, be it on the social, political, or aesthetic level. In recent years, Zhang Peili has entitled many of his solo exhibitions using correlative conjunctions.
In 2014, New York-based artist Lois Conner gifted one of pioneering Chinese artist Zhang Peili’s last paintings to The Australian National University’s newly opened Australian Centre on China in the World. Never exhibited and thought lost, the reemergence of Flying Machine (1994) prompts an exploration of the relation between painting and video in the oeuvre of Zhang Peili.
28 de jun. de 2018 · Zhang Peili est né en 1957 à Hangzhou, où il habite et travaille encore aujourd’hui. Il étudia la peinture à la Zhejian Academy of Arts (devenue plus tard: China Academy of Art) entre 1980 et ’84. Depuis 2002, il est professeur et chef de département du Nouvel Art des Médias à la China Academy of Art. Zhang a récemment exposé en ...
Zhang Peili earned his reputation as the father of video art in China for his response to an invitation to create a new work for the historic Huangshan Conference on modern art in 1988. He borrowed video equipment – which was, at the time, hard to come by – from friends at the customs bureau and used it to film his latex-gloved hands breaking a mirror and then meticulously gluing the ...
With contributions by Pi Li, Robyn Farrell, and Katherine Grube. 96 pages, 8 x 10 3/4 in. 60 color ills. Hardcover $25.00 ($22.50 members). ISBN: 978-0-300-22622-5. Considered the first Chinese artist to work in video, Zhang Peili manipulates perspective, close-ups, and framing to create astonishing recordings of banal repeated actions, such as ...
