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Yasunao Tone (刀根 康尚, Tone Yasunao, born 1935) is a multi-disciplinary artist born in Tokyo, Japan and working in New York City. He graduated from Chiba University in 1957 with a major in Japanese Literature. An important figure in postwar Japanese art during the sixties, he was active in many facets of the Tokyo art scene.
18 de nov. de 2012 · Yasunao Tone (刀根 康尚, Tone Yasunao, born 1935) is a multi-disciplinary artist born in Tokyo, Japan and working in New York City. He graduated from Chiba University in 1957 with a major in Japanese Literature. An important figure in postwar Japanese art during the sixties, he was active in many facets of the Tokyo art scene.
19 de oct. de 1997 · Yasunao Tone (Tokyo, 1935), es un artista multimedial. Su cuerpo de trabajo más importante pertenece al campo del arte sonoro . Estudió literatura. Su carrera se volvió activa en la década del ’60 a partir de su participación del Movimiento Fluxus.
18 de mar. de 2023 · January 13 – March 18, 2023. Artists Space is pleased to present Region of Paramedia, the first retrospective dedicated to the work of Japanese American conceptual artist, composer, and theorist Yasunao Tone, whose deep investigation of the potential uses and misuses of emerging technology has made him a pioneer in performance ...
Yasunao Tone (b. 1935, Tokyo) was one of the first Japanese artists active in composing "events" and improvisational music. He is one of the founding members of Japan's Fluxus movement and has also been an organizer and participant in many important music and performance groups such as Group Ongaku, Hi-Red Center, Team Random (the first ...
AI Deviatoin #1, #2 by Yasunao Tone, released 11 August 2017 1. AI Deviatoin #1 2. AI Deviatoin #2 EMEGO 241 Notes: I have had an idea if I apply the neural network to create my sound work for long time. When I had a performance at Centre Pompidou with Peter Rehberg and other friends I tried to talk about the idea with a French guy from IRCAM.
16 de mar. de 2023 · Solo for Wounded is a two-part, 48-minute musical piece by the Japanese-American critic and composer Yasunao Tone. To create the work’s almost unendurable sound, Tone poked pinholes on strips of scotch tape and slapped them on the underside of a copy of Debussy’s Préludes – then recorded the results.
